Robert Scoble vs Facebook (or Freedom of Information vs. Commercial Silo-ing)

The Robert Scoble vs. Facebook saga is me thinks a taste of some of what is to come in the year and even years ahead. Its the old silo-race rearing its ugly little head again. Basically Facebook is saying you’re allowed to use ‘your’ accounts information as long as you do so manually, thus their de-activation of Mr Scoble’s account after he used a bit of software to scrape his friends’ contact details. In the end they own the data and are a little bit jealous of it and there is the matter of the Facebook Terms and Conditions.

(The irony is that there are a few useful little odds and ends floating around that can do a whole lot more than get names and email addies from facebook, the last one I gave a test-drive did all of that plus mine out images and other media and went way beyond mining just facebook :-) the hard part is actually figuring out something useful and worth-the-effort to do with such data)

So of course there is a group to go join – Continue reading

open innovation dinner gig was interesting

The most innovative part of the evening was the clever little gizmo of a light and camera contraption that plugged into the projector thus offering the functionality of those grand relics of the old world – overhead projectors. Have’nt seen one of those before (okay I know I don’t get out enough) but makes a lot of sense and thought it very kewl.

The actual presentation left me a bit cold except for a clever exercise with parallel lines to illustrate our tendency for erroneous assumptions about the validity of our knowledge. Otherwise I don’t think I spotted a single novel idea or argument in the presentation, the official presentation that is. Both Eddie Obeng and Jon Foster-Pedley are wonderfully charismatic speakers. Sandwiched between two relatively irreverent mini sessions of John Vlismas the whole affair was pretty entertaining. Vlismas is good, was a treat seeing him in action again.

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Whats wrong with news media?

One imagines that ‘News’ is the stuff worth knowing, but instead the news feeds us the stuff that sticks out, the sore thumbs of life. I love the observation Max Kaizen makes in reversing the brain.drain… “… especially after the numbing effect of news. The news presented by mainstream media, (TV & papers particularly) is largely reactive, and leaves us feeling impotent to change the outcome of almost everything we’re offered.

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Telkom Social Media – uhm that’s ironic :-)

Telkom Media – Riding The New Wave – Tyler Reed
Telkom Media said that Online Communities is a key element of their planned online service offering. This includes social networking, news, photos and video communities.

I would really love to see how they get this right. Maybe I am being too critical but…
same here, me thinks TR is right. Telkom has all the bits and pieces, somehow though they just never get put together properly.

Take the recently re-designed online accounts service’s interface. At a glance it looks ver sleek – but, with Telkom there’s always a ‘but’ somewhere :-)…
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Media Design Technologist : Identity Assignment

Consider ‘Media Design and Technologies’, in relation to contemporary art.
Question: What are the most pertinent new ideas in contemporary art?
(This is not a rhetorical question) Consider the keywords locus, network, software, generative, agency and avant-garde.
How should we know? Research!

How, if at all, does the ideas that emerge from the above impact on your Identity as a designer?
Discuss with reference to your online identity.
Assessment:
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Assorted cerebral skims

Enola Gaia, Dr Randall Whitiker, Autopoiesis & Enaction + Information Warfare

What is art? (in What is Philosophy?)

Reading group on What is Philosophy?

re nonlinearity: “…Pierre Huyghe strikes a universal chord when he explains that he carves up the narratives in his video installations to escape overly efficient, and therefore limiting, storytelling. Fragmentation enables him to access what he calls the “exponential present,”… as an object to think with, “Broken Screen” is a stirring example of what I call visual intellectuality. The book ends with…”

It’s Art Magazine ‘Interview’

The latest issue of IT’s Art Magazine, #0004 is available online free for view-only pdf and and $3.50 for the printable version. It includes interviews with and work by Eric Scala, Fred Bastide, Marc Simonneti, Ziv Qual, Isabelle Hubert Olivier, Philippe Batini and yours truly, André SC.
Availble in French and reasonable English.

So, in view of shameless self promotion herewith an excerpt from the editorial column as well as from the text of my interview. For all the fabulous images in it is more than worth the download.

…artists with different inspiration and various working methods, but these two concepts merge: a vision and an inventive mind continuously in search of new horizons. This research can give birth to more than new artwork but can also suggest a new way to describe the world and introduce us to it.

The most blatant example in this issue is certainly André SC’s proposition. This South African artist whom in one way follows the tracks drawn by Nathaniel Stern and in another, gives us his own vision of “Compressionism”. This art is in equilibrium somewhere between the real world and the virtual one using technology to simultaneously promote questions and offer answers to the audience…

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Quiddity: Exhibition Concept Proposal (Working Draft)

Quiddity: being is not an exact thing

Quiddity2

For the first solo exhibition of pieces by André SC in November 2006, or there about.

Artists statement:

My intentions involve exploring relationships, between figments of recognition and interpretation, through abstraction and resemblance, both reductive and transcendent, in technological culture.

I translate this intention digitally into aesthetic artefacts/’pieces’ through:

  • Portraiture & Locationality: facial portraits and landscapes, young vs. mature, affluent vs. poor, urban vs. rural. studies using multiple perspective digital photo-composite techniques
  • Lessons in Obsolescence: instruments that evoke associations of past technological progress and the fragile nature of human expression, subjected to manual advance scanner manipulation techniques [?related to/influenced by Compressionism (Footnote 1) ]
  • Scapes: post-painterly-digital-abstractions (partially based on generative techniques and user-centred IT/interface design themes) partially transposed into physical/tactile form.

When programming stops being linear it becomes design.

When design stops being subservient it becomes art.

What is the digital equivalent of lovely? He wondered. What are the digits that encode beauty, the number-fingers that enclose, transform, transmit, decode, and somehow, in the process, fail to trap or choke the soul of it? Not because of the technology but in spite of it, beauty, that ghost, that treasure, passes undiminished through the new machines.
— Salman Rushdie

Sample works etc.