New prints available:
the Untitled Kentridge (192 Kentridge prints digitally combined and averaged, personally approved by William Kentridge ? infact he?ll soon own one half of the edition of two:)
Jo?burg Moon Tower(digital darkroom aesthetic)
Violin(Informally certified ‘Compressionist’ by Nathaniel Stern, father of Compressionism:)
3,666? (from what may become something called the Monospace Series, in this case featuring some shots of Bronwyn Lace?s 77/22 installation.)
You can see all the images that I have available in Lambda print format here. (As soon as I have a bit of time I?ll add size and selling price details.)
B.t.w. for those not familiar with Lambda prints; they are basically the state of the art in accurate colour image reproduction or laser-based, large-format high-resolution output onto silver-halide (AgX) colour negative paper. The process is similar to photographic prints in terms of the use of photosensitive paper and light. It differs is that the image is exposed pixel by pixel via the very finely digitally controlled laser beam. The result is incredible, digital precision. Even on the best photographic enlargers there is a little bit of distortion that increases towards the edges of the print. Not so here.
The Lambda machine plays it?s prints out at either 200 or 400 dpi (native resolution). If you want your files played out at 400 dpi you need to very explicitly request it, the standard procedure in their studio is to play everything out at 200 dpi. I?ve started including a very small colour and resolution calibration bar right on the edge of my prints, outside of the 60mm white border I include in the source files ? just for clarity sake. (I suspect they also have some kind of anti-aliasing filter on the machine itself)
See also: Lightworks, Kodak Professional Endura Paper, Durst Lambda.